OM SYSTEM Camera Lens M.ZUIKO DIGITAL ED 12-200mm F3.5-6.3 OM SYSTEM ED12-200mmF3.5-6.3 [Micro Four Thirds / zoom lens]
OM SYSTEM Camera Lens M.ZUIKO DIGITAL ED 12-200mm F3.5-6.3 OM SYSTEM ED12-200mmF3.5-6.3 [Micro Four Thirds / zoom lens]
OM SYSTEM
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Product Specifications
Maximum Diameter x Overall Length | Φ77.5×99.7mm |
Filter Diameter | 72mm |
Body Weight | 455g |
Angle of view | 84°~6.2 |
Lens Composition | 16 elements in 11 groups (3 aspherical lenses, 2 super ED lenses, 2 ED lenses, 1 super HR lens, 2 HR lenses) |
Minimum Aperture | F22 |
Number of aperture blades | 7 elements (circular aperture) |
Focal length | 24-400mm (35mm format equivalent) |
Minimum Focusing Distance | 0.22m (Wide)/0.7m (Tele) |
Maximum magnification | 35mm format equivalent: Wide 0.2x / Tele 0.46x |
Accessories | Lens Hood (LH-76B), Lens Front Cap (LC-72D), Lens Rear Cap (LR-2), Instruction Manual, Warranty Card |
Specification 1 | Focusing method: High-Speed Imager AF (MSC) |
Specification 2 | Dustproof and drip-proof mechanism |
Basic Information
Product name | M.ZUIKO DIGITAL ED 12-200mm F3.5-6.3 OM SYSTEM ED12-200mmF3.5-6.3 [Micro Four Thirds / zoom lens] |
Model No. | ED12-200mmF3.5-6.3 |
Product Features
The lens achieves high-speed, high-precision autofocusing while achieving an overwhelmingly compact and lightweight design. This all-in-one zoom lens is dustproof and drip-proof, making it ideal for travel.
- All-in-one zoom lens that is significantly smaller and lighter than its predecessor
This 16.6x* zoom lens offers the highest magnification available in an interchangeable lens for mirrorless interchangeable-lens cameras, allowing photographers to shoot with a single lens over a wide range of focal lengths, from 24mm to 400mm equivalent in 35mm format, from wide angle to telephoto. Furthermore, the overwhelmingly compact and lightweight design reduces the burden of carrying the lens. It can be easily carried anywhere, and is useful in a variety of shooting situations, such as travel.
(*As of April 2023, the highest magnification among zoom lenses for mirrorless interchangeable lenses.)
- Excellent close-up shooting performance
When shooting wide-angle, the lens allows you to get as close as 22 cm (approx. 10 cm from the tip of the lens) to the main subject, which allows you to capture the subject together with the background. Telephoto shooting, with a maximum magnification of 0.46x (35mm film camera equivalent), is suitable for close-up photography and for expressions with a large blurred background. This versatile lens can be used with a single lens for a variety of subjects from indoor to outdoor scenes, including close-ups of children's facial expressions.
- Dustproof and drip-proof mechanism for shooting in any environment
The lens boasts the same dustproof and drip-proof performance as the highly reliable "M.ZUIKO PRO" series lenses. When used in combination with a camera that is dustproof and drip-proof*, the lens enables shooting in harsh environments, such as sand, dust, rain, and splashes of water.
- High-speed, high-precision AF
The camera is equipped with the MSC (Movie and Still Compatible) mechanism, which employs an inner focus system that moves a lightweight lens consisting of a single bonded lens piece for focusing. The short shooting time lag ensures that you will never miss an opportunity to capture a moment in time. The high speed and precision of the AF lens drive, despite being an all-in-one zoom lens, allows you to enjoy comfortable shooting.
- Optical Design for High Image Quality
Chromatic aberration and distortion are thoroughly suppressed throughout the entire zoom range by effectively arranging special lenses such as Super ED lenses and aspherical lenses. Furthermore, the use of ZERO coating significantly reduces ghosting and flare. The result is a bright, clear image from corner to corner.
- Optical design that minimizes angle of view variation even when the focus position is changed
The camera's optical design minimizes changes in the angle of view when the focus position is changed, for example, from focusing on a subject in the distance to focusing on a subject in the foreground. This enables video recording with less unnaturalness caused by subtle changes in the angle of view, especially when focusing.
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